Guilloche, or Engine Turning, is a handcrafted process utilizing a manual machine to put engraved lines, designs, and patterns into metal. Though the technique has its roots in ancient times, the machines used today, most built before WWI, have their origins in 18th century France and Switzerland. Brought into mainstream culture by Breguet in the 18th century and Faberge in the 19th century, the decoration on silver objects, such as cigarette cases and belt buckles, was extremely popular during the 1920s Art Deco era.
Sadly, my college professor Alfred Ward, an internationally acclaimed silversmith from England, recently passed away. The American College of the Building Arts in Charleston, South Carolina, where I teach an elective metalsmithing and jewelry class, purchased many of his tools and equipment from his estate. One of those items included a Guilloche Hall Straight Line machine, made in Rhode Island in the early 20th century, so I have begun learning how to use it for both my artwork and to teach my students. The journey has been fascinating and sometimes frustrating as it is an extremely difficult process to teach oneself. This first jewelry series incorporates the skills I have developed thus far.
Inspired by the Art Deco era, an influence over my artwork since I began silversmithing, Rialto Jewelry Series gives nod to the layered, geometric designs of the style and the use of Guilloche to decorate surfaces. This jewelry collection was designed with the glamour and energy of the period in mind.
Many years ago, Alf and I discussed going into business together and Rialto, which has associations with Art Deco, was going to be the name of our company. I thought it was appropriate to give this first Guilloche jewelry series that name, since I created these pieces using his machine. It has been very meaningful and special to incorporate Guilloche into this new collection with my mentor and dear friend’s machine and carry forth his legacy with it.
Shop available Rialto jewelry pieces in the Jewelry category.
